April 2, 2017
I fell in love with baseball as a child. It’s been an enduring if uneasy relationship. My early associations with the sport were mostly joyful, win or lose … a good thing, since it was mostly about losing for my Washington Senators. Low expectations can make life easier sometimes. Even the Senators had their memorable moments, enough to provide an occasional lift for their long-suffering fans. But like most other relationships, my bond with baseball became more complicated as I grew up. When did I allow the love of the game to become sullied by anger and disappointment? Why did I begin to take losing too seriously? Was it because my new team, the Washington Nationals, has managed to raise expectations without totally fulfilling them?
The start of a new baseball season, being nearly synonymous with the beginning of spring, always brings an easing of the heart. I recall those Sunday mornings during the warm weather months when the anticipation of seeing a baseball game was as exciting as the reality. My dad often played golf on Sunday mornings, and I would get down in the dumps if it looked like he wouldn’t get back in time to go to the ballpark. But he usually did, and I was ecstatic. If it rained on a day when we had planned to go, I was inconsolable. My parents tried to dream up distractions, but nothing could really replace the game.
Maybe losses didn’t linger as much then because everything apart from the win-loss record fascinated me. I loved the ballpark atmosphere … and in those days, they were just ballparks, not amusement parks. That’s not to say I don’t think the Nationals are smart to try to draw in young fans by creating a carnival atmosphere on the ground floor of Nationals Park. Petco Park in San Diego, which I visited last summer, also features something of an amusement park, although it’s mainly outside the stadium. Still, I miss the simplicity of earlier times, when the green glow of an outfield underneath stadium lights had its own allure. Some of the vendors were entertainers who developed their own shtick. The phrases they used to pitch ice cream and peanuts would become so familiar that kids would start chanting the words as soon as the guys approached.
The capricious weather of spring and summer adds excitement, at least when the game is played outdoors as the baseball gods intended. Nowadays, teams can’t really afford to cancel games, so they play through or around bad weather as best they can. Rain delays must be handled strategically, since pitchers’ arms are particularly sensitive to being shut down and started up again. On summer evenings lightning often crackles in the distance, and the sound of thunder adds a sense of urgency. Certain cloud formations seem to occur only over a ballpark. And there are those sublime moments when a rainbow signals the resumption of play.
The romantic feelings I harbored as a child centered more strongly on some players than others. There was something mesmerizing about the look of strong, healthy young men in uniforms performing athletic feats. I wanted to know more about them, but there wasn’t much to know. In those days before social media exposed everything, often spreading tall tales in the process, the private lives of athletes weren’t discussed beyond the few basic facts they chose to reveal. Besides that, baseball used to be more of a radio than a TV game, which required fans to exercise more imagination. Even games that were televised didn’t reveal every facial expression and nuance, with replays from every possible angle, the way they do now.
Maybe that’s what got me started making up baseball stories. My imagination concocted pennant races that never happened in real life. Nowadays, some of the romance disappears when you can plainly see the grimaces, pain, and occasional temper tantrums that the game brings about. Nationals fans knew that their fortunes were about to plummet when their young ace Stephen Strasburg blew out his elbow in 2010. His agony, matched by the genuine grief on the face of his pitching coach, was unforgettable. Toward the end of the Nationals’ disappointing 2015 campaign, their fans were treated to the sight of hotheaded closer Jonathan Papelbon losing his temper and putting a choke move on the equally hotheaded star Bryce Harper, who had objected to being criticized by the older player. Our dysfunctional baseball family was exposed in all its warts.
I’d like to reignite some of the old-time joy, if only because the current national mood is so grim, tense, and angry. We need distractions more than ever, and we need to genuinely enjoy them. We don’t need more anger and angst from sports, which are supposed to entertain us. If Nats fans must “hate” Mets fans, or vice versa, it should be a fun kind of hate. Sometimes I allow my dismay about other things, like the state of the country, to muddy life’s simpler pleasures, like watching a competitive game. But if we’re determined to take it seriously, we might as well learn one of the main lessons of baseball: it’s more real life than fantasy. It brings lots of pain to those who care. There is no time clock, which means that anything can happen in any given contest. You can lose a game that you led by ten runs. You can lose that game even if there were two outs in the ninth. These are not tragedies, although they sometimes feel like it.
Thomas Boswell, the superb columnist for the Washington Post, often lectures Nationals fans who devalue the team’s sustained excellence over the past several regular seasons because of their flame-outs in the playoffs. During a recent chat on the Post website, he wrote, “The first responsibility of a sports fan is to figure out: How can I get the most pleasure, the most fun, the most laughs and relaxation for my time and my dollar, for myself, my family and my friends as I possibly can while also being mature enough not to be bothered a great deal — or at least not for very long — by anything that goes wrong.” He sees this as a lack of perspective: “a kind of willful illness, a lack of basic wisdom and judgment about how to weigh our relative experiences, that troubles me and makes me wonder if we are seeing some distortion that is a characteristic of contemporary times.” Words to live by, from April to October.
March 3, 2017
I’m an ardent sports fan, so it’s hardly surprising that three of the four novels I’ve self-published so far deal with sports teams and their fans. It’s challenging, to say the least, to describe the drama and excitement that live games can produce. My attempts along these lines are based, somewhat loosely, on actual DC-based baseball and football teams that I have known and loved over the years. Accordingly, the question has arisen: how permissible is it to use actual names of sports teams in a fictional work?
Most legal experts who give advice on this subject seem to think it isn’t a big deal, unless one of two situations applies: you’re a famous author whose use of the name is likely to attract widespread attention, or you have a beef with the organization and are attempting to sully its reputation. Neither of these situations is all that likely to come up in a self-published novel, or at least to be noticed by many readers. In any event, there are far too many books published each year for the legal profession to monitor.
Nevertheless, this issue is getting more attention in the self-publishing industry than it used to. In my 2003 novel Secretarial Wars, football is a peripheral part of the story, merely a stimulant to the secretaries who follow the team as fans and cherish hopes of meeting the players. My editors back then made no objections to my using the actual names of longtime divisional rivals, the Washington Redskins and the Dallas Cowboys. I didn’t use real names for my star players, although I suspect their real-life counterparts would have been easily identifiable to a long-time fan.
Fast forward a few years, and it seems the self-publishing industry has advanced far enough to take the trademark and libel issues almost as seriously as traditional publishers do. So by the time I published my third novel, Let’s Play Ball in 2010, I was advised to change the names of the baseball teams I had referred to in the original manuscript. Thus, the Washington Nationals became the Washington Filibusters, and the Miami Marlins became the Florida Keys. The story includes a well-traveled player who managed to wear the uniforms of both New York teams in the same year. They were supposed to be the Yankees and the Mets, separated only by a long subway ride, but they were called something else.
Now I have a novel-in-progress, tentatively entitled “Sycophants,” in which football is a more integral part of the story. It revolves around a movie producer operating in Washington, DC, who is married to a star football player for the Redskins. The success of her current film-making endeavor depends at least partly on the fortunes of his playoff-bound team.
By the way, I’m sidestepping the entirely separate debate currently raging about the name “Redskins,” a team moniker which has been in use in Washington since 1937, and four years before that in Boston. It seems likely that modern racial sensitivities would prevent a new team from receiving that nickname today, and would also preclude many other team names and mascots that are still in use. I sympathize with those sensitivities, up to a point. I’m a progressive when it comes to politics, but I’m not a big fan of political correctness. In cases like long-enduring nicknames, I feel that context is everything. These names have sentimental associations and historical significance to fans. By some accounts, the original Redskins nickname was intended to honor a member of the Sioux tribe who coached the team during its Boston days. Further, polls have shown that Native Americans, who presumably have the most at stake in this debate and the most reason to be offended, actually care very little.
That leaves me with a nagging temptation to call my fictional team by a genuine, 84-year-old name. Somehow, it makes the team I’m writing about more real to me. It also complicates matters by being set in a past, around 1990, that many fans can remember. How confounding would it be to give them an altogether different past from the real one? Since it’s fiction, I can theoretically do anything I choose. Still, an author depends on the willing suspension of disbelief, and messing with that can be dangerous.
August 31, 2016
Baseball is the most romantic of all sports, for many reasons. What other game unfolds in a space that fans and players refer to as their “field of dreams”? Unfortunately, those dreams are often shattered. Here in the Washington DC area, baseball has a long, melodramatic history, interrupted by 33 years of non-existence from 1972-2004. We’ve lost three franchises, a record few cities can match. Our most recent pennant was won in 1933. My late father used to recall that team nostalgically from time to time, but those memories are now lost to me. Decades of futility followed, not limited to incompetence on the field. Throughout its history and non-history, Washington baseball has been continually betrayed by bad owners and bad faith from the sport’s authorities, and some of those grievances have lingered into the present. Luckily, there is something poetic about suffering. Early in the 2016 season, when young slugger Bryce Harper struck out with the bases loaded, it was somewhat of a shock. He had hit two grand slams recently, and it had started to seem automatic. For the moment, pitchers had “figured him out.” Mighty Casey struck out that time, as he has many times before and will do again.
Baseball is more up close and personal than other sports. Except for catchers, the players play without masks, which makes it easy to imagine you know them. You would know them if you saw them on the street. When I was growing up in Silver Spring, Maryland, there were quite a few sightings of Senators star Frank Howard. Once he signed a dollar bill in the local grocery store for the mom of a friend. My parents saw him once in the Anchor Inn Restaurant, a huge man dining with his comparatively tiny wife. My mom, who was prone to exaggerate on occasion, claimed she almost tripped over his leg.
Baseball harkens back to childhood. Even the bad teams, then and now, exhibited exquisite, often breathtaking skills just to make what are considered routine plays. I used to fantasize about living at the ballpark. How cool would that be? I associated the game with warm summer evenings, rain delays, and rainbows arching over the stadium after the rain delays. At DC Stadium (later RFK Stadium), an accordion-like contraption called a Cordovox used to play “You Gotta Have Heart” and “I Know A Place.” Every time I hear those songs now, I’m back there.
Even the heartbreak was romantic. The Senators had such a unique way of grabbing defeat from the jaws of victory. One afternoon I overheard one of our neighbors, known to be an ardent Senators fan, screaming at her husband. They were a nice couple, never known to raise their voices to each other. It turned out that the wife was yelling, “How could they have lost?” Her poor husband had just broken the news he’d heard over the radio, that the Senators had blown what she had assumed to be an insurmountable lead. That dear lady died far too soon, of complications from diabetes. My mom speculated that the horrendous game hastened her demise.
It’s easy to take the sport too seriously, especially in the current era of rising expectations. I’ll admit that as I get older, I’m less patient with failure. Do I really love baseball, or do I only love winning baseball? I can’t seem to rediscover the pure enjoyment of the game I used to have, win or lose. I’m ashamed to admit defeats can seriously cast me down. I almost care more about the Nats holding on to their divisional lead during these difficult final weeks of the 2016 season than I care about the upcoming election, although I truly believe that one of the candidates poses an existential threat to the nation, if not to the planet. I can tell myself I’m being ridiculous, but I’m not a psychologist, so I haven’t really figured out why I’m like this. Maybe it’s just that time is growing shorter for a championship through which I could live vicariously.
Losing streaks feel like curses, and sometimes it feels like they’re my fault. Back in June I took a trip to California with my brother and a friend. Our main objective was to soak up some Hollywood vibes, but we also had a chance to catch the Nationals on a West Coast swing. They were playing the Padres and the Dodgers, two teams they should theoretically have been able to beat. Petco Park in San Diego is a particularly fun place, featuring an amusement park outside and a beach-like plot of grass beyond center field. Since so many good seats were unoccupied, we never made it to the cheap seats we had bought, instead grabbing a prime spot in the lower deck. I was afraid we’d be busted for cheating, but there were no ushers around to enforce the rules. Did we really get away with it? I later feared the baseball gods had taken note, because that game helped to set off our team’s seven-game losing streak.
We went on to Dodger Stadium (sometimes more romantically called Chavez Ravine), which provided a totally different experience, as ballparks usually do. It’s the biggest ballpark in the major leagues and one of the oldest. On that first day of summer, the hottest day of the year in Los Angeles, fire billowed from the nearby hills, but once the sun went down the conditions turned surprisingly pleasant. This contest was slated to be an epic pitching matchup (Clayton Kershaw vs. Steven Strasburg), two legitimate Cy Young contenders earlier this season, who have both been bitten by injuries since. Strasburg was scratched that night for unknown reasons, replaced by a journeyman who did his best but was no match for the star.
The fun aspect of baseball is jeopardized when we take it too seriously. The season is brutally long, and sometimes the games are, too. Not much can be done about shortening the games without altering basic strategies, but how about shortening the season? It’ll never happen, because it would cost the owners immediate revenue, but I feel sure the quality of the day-to-day product would improve. Maybe we’d have to endure fewer gut-wrenching losses that might have been more mistake-free if the players hadn’t been dead on their feet after a long summer of exertion. The drama tends to return in the autumn, and the level of play sharpens with the cooler temperatures and the greater excitement of pennant races and playoffs. For Nats fans, though, playoff appearances in 2012 and 2014 brought more agony than ecstasy. What if one of these years, our team actually does win the World Series and gets to march down Pennsylvania Avenue in a never-before-seen baseball parade? It’ll outshine any Inaugural Parade. On the other hand, maybe it’s better to have something left to yearn for.
May 2, 2016
I’ve spent my entire life living in a suburban cocoon, sheltered from the world’s harshest realities. I always knew that the famines, decades-long civil wars, and military coups that regularly decimate foreign countries can’t possibly happen here. Lucky me, I was born in the United States in a time of relative prosperity, although the political landscape has never been what you could call tranquil. I’m a baby boomer, by definition the child of a World War Two veteran. The Greatest Generation, my parents’ generation, fought the most virulent forms of Fascism in Germany and Japan to ensure that those scourges couldn’t invade our lives. True, we lived our entire lives under a nuclear cloud, practicing futile remedies like duck-and-cover when we were kids, but we could count on Mutually Assured Destruction to keep us safe. It seemed the Soviets, like us, weren’t totally crazy.
There have been many books and movies that plausibly envision all sorts of nightmare scenarios. Some of the “what-ifs” that have made the greatest impression on me include 1984 (what a high-tech totalitarian society would look like), It Happened Here (if England had lost the Battle of Britain and been conquered by Hitler), Seven Days In May (if the US military attempted to overthrow the president), and most chilling of all, Level Seven (total nuclear annihilation). After imagining the worst, I feel relieved that it hasn’t happened yet. I have an urge to step outside and breathe in the sights and sounds of my own lawn, where life persists, unaware of any existential threat.
Nobody in the US could claim at any time that Fascism had been totally defeated. It has always been present, at least beneath the surface, in our national political life. Lately, it has begun to get alarmingly obvious. It’s not necessarily a good sign that we see more and more fictional presidents who are either totalitarian wannabes or buffoons. I was criticized for portraying an over-the-top president in my own novel, Let’s Play Ball, but he was small potatoes. All he did was have adulterous sex in the oval office (real sex, not just oral) and hatch a plot to kidnap a ballplayer. What I wrote can’t hold a candle to appalling but undeniably entertaining shows like “House of Cards.”
How believable is Frank Underwood, the fictional president of this series? As of this date, he’s already murdered two people by his own hand, and has an equally thuggish chief of staff doing dirty work for him on the side. In one recent scene with his own Secretary of Defense, a potential political rival, he seems to confess to his previous murders and threaten her with the same fate, only to back off and say he’s kidding. As he obviously intends, she is left unsure whether she’s really in danger or just paranoid. Yet if Underwood were real, I would vote for him over several of the current presidential candidates. I’d even vote for his wife Claire, who has maneuvered herself into a spot on his ticket. The Underwoods at least take some reasonable positions, if only for expediency’s sake.
When I studied Political Science in graduate school over thirty years ago, I thought I had acquired a decent grasp of “what can’t happen here” in the political realm. But in 2016, we might as well shred those rules. There are practically no limits now to what certain candidates can say or do and remain beloved by their fans. I suspect that deep down, many of these politicians know how unreasonable their positions are, but they have gotten into the habit of pandering to an uninformed electorate instead of trying to educate their followers. Since there’s no point in agonizing over what I can’t control, I amuse myself these days by pretending that the ongoing election is a novel, and the candidates are colorful if implausible characters. Only what self-respecting editor wouldn’t red-ink characters like these? Honestly, I don’t think I have enough imagination to make up Donald Trump.
When has such an ignorant buffoon come so close to the presidency, even in fiction? Charlie Chaplin’s 1940 film “The Great Dictator” satirized characters such as Adenoid Hynkel of Tomainia and Benzino Napaloni of Bacteria, who tragically had real-life counterparts. Is the present situation so different? Here is a man who accepts Nazi-like salutes from his followers, has expressed admiration for Mussolini, has reportedly studied Hitler’s speeches, and encourages his goons to beat up any detractors. He refuses to repudiate the support of white supremacists, and threatens media outlets that criticize him. But let’s jump ahead and contemplate what President Trump would be like. Since candidate Trump has yet to show the slightest grasp of how the US government works, we must assume he would expect to enter office wielding dictatorial powers. How would he react when he discovers the concept of checks and balances? Michael Hayden, former NSA and CIA director, has said that some of the orders Trump intends to issue as commander-in-chief would be illegal, and could well trigger a coup. His signature policy initiative would start at least a trade war with Mexico, our largest trading partner, if not a hot war. Meanwhile, if he follows through on his promise to deport 11 million immigrants, he would create all the necessary ingredients for a civil war.
Would Trump last even a year in office? I can see him quitting in frustration when he finds the job more difficult than he imagined. Certainly some of his actions, if he tried to carry them out, would be impeachable. Like Chaplin’s dictators, he’s extremely childish, given to temper tantrums if he doesn’t receive the adulation he thinks he deserves or otherwise fails to get his way. Imagine putting someone with the temperament of a five-year-old in charge of the military and the nuclear codes. He might blow us off the map before we had a chance to impeach him.
This is really nothing new for Republican candidates, many of whom have demonstrated an appalling ignorance of our national history. Trump himself was recently asked in an in-depth interview what he thought of Lincoln’s accomplishments. After he had rambled for several minutes, it was clear to the interviewers that he had no idea what Lincoln did. He touts an “America First” foreign policy, showing no awareness of what that phrase meant in the late 1930s. Sarah Palin, former Republican VP candidate, didn’t know that World Wars One and Two were fought in the twentieth century. And then there’s my personal favorite, former Congresswoman and presidential candidate Michelle Bachmann congratulating the founding fathers for their great courage and fortitude in abolishing slavery.
American history is a great story in itself, and really needs no exaggeration or enhancement. It has all the drama, vivid characters, crises, and triumphs that anyone could want. Even some of the duller personalities that populate our history were interesting in their own plodding way. Maybe that’s why we crave over-the-top scenarios in fiction that portray our leaders as criminals, clowns or worse. Authors must do all they can to keep up with reality.
December 5, 2015
These days I feel an urge to occupy something. As a progressive from the school of aging baby boomers, I find the current political climate and level of discourse in the US increasingly scary. As far back as I can remember, political institutions have never been as dysfunctional as they are now. We baby boomers have a tendency to exaggerate our exploits and insist that we used to be more astute and involved than today’s kids. Back in our day, we stopped the Vietnam War, invented civil rights and women’s liberation, pulled off Woodstock, and accomplished much of this while half-stoned. My Republican parents tried to steer my brother and me toward their brand of conservatism, but it didn’t work. The “Greatest Generation” and its values were just too different.
My parents’ party has now gone off the rails, as they would agree if they were still around. The two front runners for the 2016 presidential nomination as of this date are astoundingly unqualified for high office. The more childish and bizarre their pronouncements, the more their fan base cheers. Worse, they’ve managed to intimidate more mainstream Republican candidates into adopting equally crazy or demagogic positions. Listening to these gentlemen debate, I wait in vain for the rare reasonable statement based on verifiable facts, or a policy proposal that could actually be implemented, or even a message that isn’t hate-filled venom. That is a very low bar for our national politics.
It’s a relief to have a forum where I can state my beliefs plainly, but it’s not a good technique for writing fiction. Since my stories tend to harken back to my youth, politics has a way of sneaking into them. Critics justifiably warn us of the dangers of turning what should be entertaining stories into polemics. Two of my novels feature fictional presidents who are corrupt and bellicose, and are obviously Republicans. Still, they don’t hold a candle to the real-life buffoons of this day and age. You couldn’t make up candidates like Trump and Carson. It’s even getting difficult for comedians to satirize them, as the reality almost matches the caricature. My writing inevitably reflects my beliefs and career experiences from over 40 years in government and quasi-government, but it’s best to keep these things understated while telling a story. I prefer to think I’m standing up not for a particular candidate or platform, but for reason and compassion.
My 2003 novel, Secretarial Wars, was inspired by my first permanent job after college. I spent more than five years during the 1970s at the Fulbright grants program, an international exchange program for scholars. My novel describes an agency called, somewhat ironically, the Peace Council. It’s an organization that awards grants to send professors and researchers overseas to disseminate American values. My heroine, Miriam, is a secretary at the Council and an aspiring investigative journalist on the side. She suspects that the program is serving to mask a corrupt administration’s interference with the political and economic systems of certain vulnerable nations.
Nothing like this ever happened in real life, to my knowledge. But it could have, if an evil deputy director got into bed, literally and politically, with an evil President. Miriam tries to gather enough evidence to write an explosive article for an underground rag, but she is hampered by her conflicting desire to advance in the organization, as well as her unhealthy attraction to the lecherous newspaper editor. One reader who critiqued Secretarial Wars thought the corrupt president was inspired by George W. Bush. It’s true the book was published during W’s term, but it took so long to write that the era it depicts more closely resembles his dad’s.
In Let’s Play Ball (2010), I mixed up sports and politics, to the confusion and disapproval of some critics. The story centers on fraternal twin sisters Jessica and Miranda, baseball fans since childhood, close but competitive in their personal relationship. Jessica is the founder and editor of an innovative sports magazine, while Miranda has a more traditional but important job as a bureaucrat in the Department of Homeland Security. While they share a liberal outlook, Miranda accuses Jessica of taking her beliefs to an extreme, especially when the intense reporter sets out to investigate her suspicions of racism on the local baseball team. Jessica’s Cuban-born fiancé, the right fielder, is soon to be a free agent, and she fears he won’t get the contract offer he deserves from the biased owners. Then her world blows apart when he is kidnapped from his own ballpark after a season-ending game. Now she envisions a vast criminal conspiracy in which the team owner and his daughter are complicit.
My astute critique group accused me of using Jessica to lecture my readers about the insidiousness of racism. I was preaching to the choir in that group anyway, they pointed out. But how can that be, I protested, when Miranda is the viewpoint character, and she rolls her eyes whenever Jessica gets too strident for her? Furthermore, Miranda is friendly with a few of the teammates whom Jessica has pegged as racists, and is having an affair with one of them. Even so, my friendly readers insisted, we can hear your political voice bellowing through.
Politics turned out to be unavoidable in Handmaidens of Rock (2014), my tale of a young musical trio and its groupies. I tried to recreate the turbulent era of my high school and college days, the late 1960s and early 1970s. Wherever their budding careers take them, the musicians can’t escape the threat of a military draft. Scared and confused, they write and perform both peace-and-love and militant songs. The threat of violence follows them, and real bombs go off around them. This was an era when radical leftists co-opted the antiwar movement with their bombings and crime sprees, giving all of us who protested the war a bad name.
I recently finished reading Days of Rage (2015), Bryan Burrough’s fascinating account of the political violence that permeated that era. He quoted at length Joseph Conner, whose father Frank, a 33-year-old banker, was killed in the infamous Fraunces Tavern bombing by Puerto Rican radicals. The younger Conner deplores current efforts to rehabilitate some of the self-styled revolutionaries of that era on the grounds that they’ve lived exemplary lives since then. “To think that America thinks none of this ever happened, that it’s not even remembered, it’s astounding to me. You know, I blame the media. The media was more than happy to let all this go. These were not the kinds of terrorists the liberal media wanted us to remember, because they share a lot of the same values. They were terrorists. They were just the wrong brand. My father was murdered by the wrong politics. By leftists. So they were let off the hook.”
I agree with Joseph Conner up to a point. The bombers and bank robbers of that era were indeed terrorists. But I disagree with his assertion that liberals are incapable of calling these criminals by their right name, when I know many of us do. I’d like to see more right-wingers who are equally capable of condemning the bombers of abortion clinics. Political messages delivered with hate lose any high ground they ever had, and become more pernicious than the wrongs they claim to be fighting.
October 3, 2015
“In spring, everything was sunny.” That was how a recent Washington Post article began its postmortem of the Washington Nationals’ disappointing 2015 season. The article went on to describe “the rise and fall of a dream,” as if the failure of this team to achieve its goals was comparable to the collapse of a nation. Unbeknown to some analysts, many of us fans anticipated from the start that the 2015 season was a disaster waiting to happen. That’s because we understand how damaging super-high expectations can be—and that the baseball gods love to punish hubris.
These things are written in the clouds, after all. Certain deities have had it in for this team ever since it arrived from Montreal in 2005, denuded and abused from a period of neglectful MLB ownership. It was as if the newly constituted team had no right to exist, much less to develop into a contender. A series of near misses and agonizing playoff defeats in the ensuing years can only have one explanation: those pesky baseball gods haven’t let us off the hook yet.
Baseball pundits on the national level seemed to wish for this collapse. Apart from one quote from superstar Bryce Harper before the season began, taken wildly out of context, it was those pundits who kept anointing the Nationals prohibitive World Series favorites. It turns out that winning championships on paper is easy. Those “experts” now have the pleasure of crowing while the fans suffer. One writer I ordinarily respect, John Feinstein, the author of several entertaining baseball books, seems to utterly lose his rational mind when it comes to the Nats. He cited Bad Karma as a primary reason for the Nats’ struggles.
This Bad Karma, in his opinion, has lingered from the infamous Stephen Strasburg shutdown—three years ago! General Manager Mike Rizzo angered the gods with his arrogance in assuming it made sense to limit Strasburg’s innings in 2012, the year after his Tommy John surgery, because there would surely be other opportunities for him to pitch in the playoffs. How arrogant, fumed Feinstein, to assume such a thing. Never mind that Rizzo followed the medical protocol for such injuries, and that Strasburg did get another playoff opportunity, in 2014. Further, I wonder why the gods are so determined to punish this particular decision. Everyone wanted to see Strasburg pitch in the 2012 playoffs, but Rizzo took the decision upon himself, in the interests of the pitcher’s long-term health. It takes convoluted reasoning to portray that as anything but a selfless act, but it just goes to prove that the baseball gods can’t be reasoned with.
All season long, many fans have been wishing to see more passion and emotion from this team. A few days ago our wish was fulfilled, a little too emphatically. An altercation broke out in the dugout between Bryce Harper and newly acquired closer Jonathan Papelbon, whose bust-your-gut-every-minute lecture didn’t sit well with the young superstar. The fight only served to underscore the final unraveling of this season’s fortunes. As always, the baseball gods got the last laugh.
March 11, 2015
Several weeks ago, I blogged about my adventures and mishaps in trying to convert a script based on my novel Let’s Play Ball into a storyboard at Amazon Studios. My efforts to give my graphic characters realistic wardrobes, props, and settings, and make them behave in ways that fit the story, were challenging and often hilarious. The result was a complete story in 100 panels which actually turned out more streamlined and action-oriented than the book. Still, it takes imagination to envision it as an actual movie.
While I was working on this storyboard, I was invited to try an updated application, Amazon Storyteller 2.0 Beta, designed to “help visualize your story in a more compelling way.” I gave this a try for my second project, based on my novel Secretarial Wars. This application has several new features, designed to make the storyboard more closely resemble a movie. The most obvious of these for the viewer is that the panels move automatically without the need to advance them manually. Sometimes, in fact, the panels zip by so fast that the dialogue is hard to read. However, the viewer can pause them if necessary.
Better yet, there is also an option to do away with typed dialogue altogether by downloading actual voices reading the script. I didn’t use this device, since I figured it would require real actors and distinct voices to make it work. I don’t have a stable of dramatists on hand, and I’m not enough of one myself to play all the roles! Other available special features include downloaded music and sound effects from the application’s libraries, and the option to download your own. I used the app’s libraries, adding ringing phones for office scenes, honking horns for street scenes, rock music and crashing dishes for nightclub scenes, and a police siren for an arrest scene. The music, especially, adds ambience, although it tends to sound choppy if the same piece extends over more than one panel.
Does the new and improved storyteller get me any nearer to putting an actual movie online? A little, maybe. It certainly adds to the fun. For comparison purposes, the links are below.
Let’s Play Ball:
January 9, 2015
A free society thrives on controversy. Writers and artists must have the ability to express themselves without fear or restraint, regardless of whom they might offend. The public is equally entitled to take offense at what they see and read, and to say so forcefully. The ensuing debate, if respectfully conducted, is a healthy thing.
The more controversial the subject, however, the more difficult it seems to achieve a balanced debate. One of the riskier challenges a fiction writer faces is portraying villains as real people. I grappled with this in a small way in my 2010 novel Let’s Play Ball when I put bigoted opinions in the mouth of a character whom the heroine nevertheless found attractive enough to sleep with. The topic has come up in a much more threatening way in attempts by some school districts to censor the greatest of American classics, Huckleberry Finn, because much of its language reflects the racial prejudices of its time. This is a blatant example of people policing what they read, instead of attempting to understand it. They are not reading the book, but only reacting.
That said, there are some works of art that are so explosive that they put the most ardent anti-censorship advocate to the test. One example is The Death of Klinghoffer, an opera depicting the 1985 attack by the Palestine Liberation Front on the cruise ship Achille Lauro, and the brutal murder of a Jewish-American passenger. It has been controversial ever since it debuted in 1991, and efforts are continuing to this day to suppress it. At one point, revisions were made to the opera in an effort to stem some of the criticism. In the opinion of some critics, the revisions actually made matters worse by robbing the piece of important depth and context.
There is no easy way to portray both sides of an issue as intractable as the Israel-Palestinian divide. It would be easier, and even understandable, to regard the terrorists as sub-human. However, in that case, they might as well be portrayed as comic-strip villains, evil just because they are. My sympathies in this debate tend overwhelmingly toward Israel, and I abhor brutal attacks on unarmed civilians, no matter what the cause. But the terrorists are not raging in a vacuum. If they are to be portrayed in a work of art, they must be three-dimensional characters with an understandable mission. Free expression must be given the benefit of the doubt. Any attempt to limit it is troubling.
December 8, 2014
I’m trying to circulate three screenplays based on my novels, and Hollywood has yet to start knocking down my doors. So I thought I’d try posting one of them, Let’s Play Ball, on the Amazon Studios site. The response there hasn’t exactly been overwhelming either, but the site does give aspiring moviemakers the chance to have a little fun. By uploading your script and converting it to Rich Text Format (RTF), you have the capacity to turn the story into a series of storyboards via a new application called Amazon Storyteller.
This is an innovation that allows the aspiring filmmaker to choose from a stock supply of backgrounds, characters, and props to visualize scenes from a script. Each board has a caption which sets the scene and contains dialogue. You can also use backgrounds of your own, which I needed to do in order to get ballpark scenes into my story. The result is more like a graphic novel or a cartoon than a movie. Amazon is reportedly working to add to its stock of graphics–maybe robots and spaceships some day, they say.
The fun part is learning, mostly by trial and error, how to manipulate the scenes to make them halfway realistic. You can move around characters, scale them to size, change their clothes and facial expressions, give them props, whatever it takes to make them do whatever they’re supposed to be doing. But because of the limitations of this brand-new application, what you get sometimes resembles a frustration dream rather than a narrative. For example, I’ve been struggling to get a group of diners to sit at a table instead of standing around it, staring at a bottle of wine. I’d like my heroine to be able to hold a cell phone in her hand instead of making it levitate in front of her. There’s also the challenge of clothing the characters appropriately.
Who knows, maybe I’m conjuring up actual nightmares that ballplayers have about showing up on the diamond out of uniform, or missing the game because they got stuck in the bleachers. Certainly all of us office drones have had dreams about showing up at work wearing safari or beach clothing, or something even more revealing. During one intense scene between an employee and her boss, I experimented with various gestures, including one in which she appeared to give him the finger. She actually looked happy when he suspended her, so a facial expression adjustment was necessary. I’ve also accidentally created a floating microphone at a press conference, and floating sandwiches that literally flew off a shelf.
But perhaps the main thing for achieving realism in a movie: how do you force these stock characters to get intimate with each other? They don’t seem disposed to embrace or to sit down together, much less to lie down. So far, Amazon Storyteller doesn’t appear to lend itself to hot and heavy lovemaking.
October 9, 2014
Why do some of us (and by some of us, I mean me) allow mere games to assume such life-and-death importance? I’m ashamed of myself every time I catch myself doing this, and then I invariably do it again. For example, the Washington Nationals’ recent eighteen-inning torture-fest, which effectively torpedoed their chances of advancing in the playoffs, produced a hissy-fit of epic proportions. For the second time in three years, my beloved team, touted by many experts as one of the most talented they’ve ever seen, came through the marathon of the regular season with flying colors, only to collapse under the pressure of a short playoff series. Plenty has been said about questionable umpiring and the inflexible decision-making of a rookie manager. But in close games at this level, the victory almost always goes to the experienced team that keeps its composure and executes the fundamentals on both offense and defense.
Gradually our perspective returns, and we remind ourselves that “it’s only a game.” Yet somehow for me, baseball is more than that. The love of that sport in particular seems to be in my genes, and is an important part of my family history. Many of my early childhood memories are associated with local ballparks, from Griffith Stadium on. Well before that, it was part of my parents’ dating life. They went so far as to drive all the way to Yankee Stadium to take in a Senators game. I once had a vivid dream in which I retraced that trip, getting lost on the way but eventually reaching my destination-—probably the only time that ever happened in one of my “getting lost” dreams.
Sadly, the latest playoff failure means that the Nationals will have to go on enduring the ignorant rants and disrespect of “pundits” on the national level. We’ll go on hearing the canards about Washington not being a baseball town, which should have been put to rest during the Nats’ first playoff run, if not sooner. Incredibly, people continue to bring up the Stephen Strasburg shutdown of two years ago, which the team handled in the only rational and moral way possible. Worse, we’ll have to endure the continuing success of our closest neighbors, the Baltimore Orioles, who own the Nationals’ TV rights and are squeezing them in an unfair business arrangement, just because they can. Hopefully, there will be a fair resolution of that matter. But since life, like baseball, is so often unfair, I’m not counting on it.