December 10, 2013
More than a decade into the self-publishing revolution, it’s hard to believe we’re still being subjected to dire warnings about “vanity publishing.” Can there possibly be a more tired phrase than that? If it’ll do any good, I’ll admit that I’m vain. Whenever I publish, I chose to pay dearly for the privilege. A complete package includes professional covers, copyrights, thorough editing, and at least rudimentary marketing. Those don’t come cheap, and all are absolutely essential for even moderate success.
Like many other aspiring authors, I have found the traditional path not totally unresponsive to my queries, yet ultimately unsuited to my type of writing. There are simply too many rules. I like to mix genres, which makes it next to impossible to fit into a publishing niche. My novels start out as chicklit, but then I complicate things by adding healthy doses of social and/or political commentary. Not an easy sell.
Traditional publishing is not only too limiting in that way, but takes too long. For someone who’s no longer a spring chicken, years of compromise, rejection, and frustration are not a good option. And yes, it takes “vanity” to believe that stories representing my own vision from start to finish, not someone else’s idea of a commercial product, are worth putting out. My only obligation is to make sure they’re not a half-assed job, but the very best I can do.
Does that make us indies any more vain than traditionally published authors? Not so much these days, I believe. On the contrary, it looks like even the trads are increasingly expected to do their own self-promotion, assuming they aren’t famous already. So can’t we just agree that all writers are vain? We must be, if we persist in thinking we have something to say that the world should hear.