A few weeks ago I read a letter to a popular advice columnist from a married woman who confessed to harboring an obsession for an unidentified public figure with a less than sterling image. The comments section went wild with speculation about who the object of her obsession might be. Some commenters were sure they had identified the man, and berated the woman accordingly. Others belittled her for endangering her marriage over a fantasy.
What brought out the sharpest knives, however, was her confession that she was a writer who had been in an artistic drought for a while. It seemed she had gotten a spark from these illicit feelings, and was writing a novel with this person as a central character. Most of the commenters tore apart her project without knowing any more than that. They insisted that there could be nothing worthwhile about a story conceived in such a manner. Without a doubt, it would be a self-indulgent piece of crap. She was assured that “it will never be published” by some literary expert who apparently never heard of self-publishing. Others were sure if it ever saw the light of day, it would merit one star from every reviewer who came across it.
This barrage made me wonder how many of these premature critics ever felt a creative impulse themselves. If they had ever attempted something as complicated as a novel, I would think they’d realize there are many possible sources of inspiration. At least the advice columnist, who teaches creative writing on the side, showed some sympathy, offering advice on techniques the aspiring novelist could use to disguise and fictionalize her subject. My guess is that most writers of fiction, famous or not, get at least an occasional boost from obsessive thoughts that they would never reveal in polite company. The trick is to acknowledge these dark feelings and use them creatively instead of destructively.
On the other hand, obsession is never healthy if it leads someone to confront the real-life object of her passion. A while ago I blogged about the near-fatal shooting of baseball player Eddie Waitkus in 1949 by a deranged fan, Ruth Ann Steinhagen, who lured him to a hotel room. What if Steinhagen had been a writer? It’s possible that her murderous impulse would have remained safely in the realm of fiction. It took Bernard Malamud to transform the real-life tragedy to art in his 1952 novel The Natural.